Salutations to all! Today is Thursday 24th of January, I do not have a hat for the costume party I am going to tomorrow and I am finally making the slow, staggering crawl out of mental and physical hibernation. This post hails the beginning of an oncoming storm of interesting posts, plus some narcissistic ones because, for some unexplainable reason, I get more followers posting photos of myself than trying to make an analysis of catwalks or introduce you all to something new, or maybe that impression is a false one... I don't really know! Anywho (Oh, how I have missed this wonderful made-up word which is a slight staple of my blog, if you look for it) I am sure I could not have been the only one who was literally in raptures of excitement mingled with a light cynicism at the prospect of seeing all of the Spring/Summer 2013 Haute Couture Collection. It is always an event for me because there is nothing in the world quite like it. Every item is the height of luxury, every collection, discounting Versace, a pillar of elegance and even fantasy. Of course, pret-a-porter is always important in that what we see coming down the runway there will influence high street trends and fashions, but Haute Couture is nothing short of Art. A sometimes elusive, grandiose and nonsensical art which people often misunderstand as simply clothes for rich fashion victims. Oh-so-not the case. For those of us who do not have the money, what is the difference between a £2000 dress and a £20,000 gown? We cannot afford them either way, but their is more entertainment value in Haute Couture, for Aficionados and Cynics alike. The Aficionado can rave about the artistry, the Cynic about the extortionate price and capitalist, commercialist corruption, or something of the genre. Somehow, though it is always a pleasure, Pret-a-Porter is merely a toned down version of the big event.
IN RED: Armani and Valentino.
IN ORANGE: Dior and Armani
IN YELLOW: Alexis Mabille and Dior IN GREEN: Ulyana Sergeenko (This Green Dress is so lovely. Sergeenko's theatricality might not be to everybody's taste but it certainly is to mine) and Jean Paul Gaultier
IN BLUE: Chanel and Elie Saab
IN PURPLE: Jean Paul Gaultier and Bouchra Jarrar
IN PINK: Giambattista Valli and Alexis Mabille
Thank you for reading and I hope you loved these beautiful photos. This was a post based on colour but in a couple of days, I intend to do another one in the genre based on sheer I-would-kill-for-this factor.
Well, hello there. I am back (and posting this six days later than I intended - do forgive me) only to state that I will start intense blogging again this month and hopefully you can understand the reasons for my absence.
So, after all this time, this is not really a post. More a look-what-I-have-found which I am going to share, with proper posting beginning in a couple of days. Possibly this will also prove a lighter piece between two posts that turn out to highlight the fickle nature of human existence.
I have noted recently that people send less and less Christmas cards, either in favour of not politely asking how everyone in a family you haven't seen in a decade is, or in favour of simply wishing them merry Christmas and a happy new year on their facebook wall or, lastly, in favour of sending e-cards instead. Now... e-cards are something I do not truly mind if added at the end of an email as long as it is not an attachment which takes ages to load and just ends with sparkles everywhere. Those are a no-no and most irritating. Do not send them.
Designers, on the other hand, have a different way of dispelling greetings. The video! Here are a few I have chosen to share with you, all with different approaches.
Quintessential
Jean Paul Gaultier
Paper cut
Keeping it Simple
Colourful Bonanza
Hermes
The Gamble
Past New Year's videos by Margiela
Remembering that they have a Product to Sell
Countdown - Highlights of the Year
Party! (The Crazy, Perfect-looking Family) - Recycled
Anyway, straight from the offset, I did not promise you a proper post - I hope you enjoyed in anyway. Thank you for reading, do comment and please follow.
It has been rather a while now, has it not? I must say that that is all wholly my fault and a mixture of acute laziness and the burgeoning of the new school year with its ensuing stress, mainly about the state of my future, are the key reasons. How are you all? I have missed my target 250 followers by the end of September, but I am still very happy and full of bright ideas.
So, I did a few posts of collections presented at New York Fashion Week, and one from London with none from Milan and none from Paris so far. From this, you might have come to the conclusion that I have the largest interest in New York Fashion Week and, from there, the three that follow can't match up - nothing could be further from the truth! Not that I don't like New York Fashion Week, but the ones I keep an eye on most avidly are Paris and London.
With that in mind, I am doing a quick update on five of the collections - Nina Ricci, Viktor&Rolf, Vivienne Westwood, Christian Dior and Jean Paul Gaultier. The analysis is not very in depth, but this is more to whet your appetite for next Spring's fashions than a deep and meaningful critical look at the collections... I hope you enjoy!
Nina Ricci
This is the most traditionally 'Pretty' of the collections here presented, even with the bondage harnesses, dark make-up, svere hairstyles, fishnets and leather trousers. Alongside this, some sassy, delicious pieces (including a fuschia satin dress with brightly coloured polkadots, a silver cocktail dress with flapper-style fringing, a pretty sequined slip dress and a more simple black crepe gown) and that usual Nina Ricci dose of parisian chic. There were some great elements and a strong sense of wearability that is lacking in many designer collections. The sheer elements used on many of the dresses was perfect to add texture and, in some cases, the perfect mixture of refined and sexy.
Viktor&Rolf
This Viktor&Rolf collection is a surprise favourite for me. Not a surprise in terms of the theatrical nature which is usually there, but the lack of it, the regularity and the ability to cross the wide divide between runway and the wardrobes of the fashionable female population. One felt a sense of old Hollywood and grecian-style whimsicality with delicious pleats. Did I mention that I love Pleats? As in floor-length dresses pleats? As in, a LOT? There is not a lot more perfect than floaty, pleated skirts, stylishly cut. Well, apart from floaty, floor-length, pleated skirts with broad shoulders and small waists, as on display in this collection. Alongside this, think large bows, roses and pretty tulle embroideries - bref, eveningwear to die for. I also found, to my surprise since I generally feel that silver is a colour I should best avoid, that I am now wishing to buy a floor-length, pleated, silver lamé skirt from somewhere.
Vivienne Westwood
Christian Dior
So, if you've been with this blog for a bit, you may have remembered that I said I was rather cynical about how Raf Simons would progress at Dior, bearing in mind that Dior fashion is a staple of luxury femininity and Raf Simons had been at Jil Sander before, where minimalism and simplicity is the order of the day. With this collection, I feel my fears were proved once and for all to be completely unfounded. There were elements which were not completely to my taste but, by and large, I could not have asked for anything better. The discipline created a sensible restrained sensuality, very different to pre-Raf Simons collections which we had seen recently. It was sharp glamour with some beautifully cut pieces and surprising bright colours. I loved the sophisticated dresses with pretty gauze, the two tone tops with simple black shorts creating a beautifully coloured statement and the four final pieces of simple black cashmere tops with iridescent balloon skirts of floral-printed satin duchesse. I have more than accepted the ideaof designing seasonal collections to present a woman with ideas and apparel options which are actually wearable and not just show pieces for the satisfaction of fashion lovers. I'll know by Raf's next couture collection for sure what I think of his posting at Dior and if I think that this brand of wearability is enough to make up for the lack of breathtaking pieces so far - those who don't like it need to understand it's a new Dior, a new age, a New Look... *Winking Face*
Jean Paul Gaultier
Where at Paris Fashion Week can one find Grace Jones, Annie Lennox, Madonna, Boy George, Michael Jackson, Abba and Ziggy Stardust-era David Bowie (or something that looks very reminiscent of them) all in the same room? At Jean Paul Gaultier, of course. Where else? Hitting off with some sharp, beautiful tailoring and angular hair, then finishing with the euro-disco star Amanda Lear in a pink Leotard. It descended into a collection of pure Jean Paul Gaultier spectacle. Okay, so there are not many people I know who would take the leotards to the streets, but there were some great elements and, in many cases, perfectly catching the essence of the performers. It was the eighties, pure and simple and, you know what? I liked it.
Because it's a great, iconic song and it was the first thing I wanted to listen to after seeing the Jean Paul Gaultier collection. I hoped you might too:
So, that was not a great comeback and each review was rather short and sweet without analysing key trends, but I really don't have the time or energy for much more right now. Hopefully, I'll be back on form with a little more time on my hands soon. :)
Thank you for reading, do comment and please follow!
IN GREEN: Ulyana Sergeenko (This Green Dress is so lovely. Sergeenko's theatricality might not be to everybody's taste but it certainly is to mine) and Jean Paul Gaultier
